Dr Paul Mathews

 Book Review


Paul W. Mathews. Asian  Cam Models: Digital  Virtual  Virgin  Prostitutes?

Quezon City: Giraffe Books, 2010.  166 pages.



Aileen Paguntalan-Mijares



Asian  Cam  Models: Digital  Virtual  Virgin  Prostitutes? written  by   Paul W. Mathews   is a pioneering  study of the ACM (Adult/Asian  Cam Model) industry in the Philippines.  A growing industry,  ACM-ing involves young Filipinas  who chat  with customers  on-line  via  a webcam,  and are  paid for private  shows  (prvt)  that  usually  involve   models  stripping,   dancing  and romping on camera and performing sexually explicit shows for their clients. Promoted  as a lucrative  industry,  it has lured scores  of young  'Asians'  who are practically  all Pinays  into the  cyber porn industry.  Poverty  and lack of other opportunities  are the push factors indicated in the study, with women capitalizing  on  their  youth  and  sexuality.   When  asked,  however,  if  they consider  themselves  as  prostitutes,  the women  vehemently   deny  being  so, with others insisting on their virginity. Mathews asks, if ACMs constitute pornography,  can they be simultaneously prostitutes (p.l04)?


The book outlines the intricacies of the industry as experienced by young Filipina  ACMs,  and weaves  in  the  interconnections   of  economics,  labor relations, gender and sexuality, globalization/glocalization, and digital technology phenomena.   Mathews zeroes in on the paradox of "modem capitalism  that creates and facilitates  a system  of work and exploitation  that is pre-industrial".  Utilizing Marxist as well as Marxist feminist frameworks, Mathews  exposes  the  exploitative  nature  of the  cyber  technology  industry which involves objectification  and cornrnoditization of women's  labor and sexuality.


Piecework  labor  arrangements  enable Internet  Service  Providers  (ISPs) to exploit women's labor.    The women end up with measly amounts incommensurate with the labor  and time they put into their  'jobs'.  As one could spend the whole day on the web but get paid only for the actual time spent on private shows, ACMs have to convince  potential  customers  to get them to do private shows so they can meet their quotas and get compensated. The case studies provide ample evidence of the unfair labor practices among ACMs and their ISPs, at times with women falling prey to unscrupulous employers   who  may  try  to  demand  sexual  favors  in  exchange  for   'job security'.


Mathews  shows  how  ACMs  capitalize  not  only  on their  looks,  which includes  advertising one's  youth through use of the teddy bear as a prop, but also  pandering  to  customer's fantasies  by  projecting  themselves  as subservient  females-always smiling,  pleasant,  and accommodating despite the lewd and salacious remarks being thrown at them. Customers are made to believe in their  masculinity  and ability  to sexually  gratifY the women.  This fits  with  the feminist  critique  of pornography's objectification  and sexism where women, according to Lynn Segal (1992), are reduced to "passive, perpetually   desiring   bodies - or  bits  of  bodies-eternally  available   for servicing  men" (as cited in Attwood  2004).  As Mathews  points  out, clients seem to go for girls who seem to be 'having  fun'  and enjoying  themselves, which contrasts to how these 'working  gurls'  consider  ACM-ing as merely a job like any other.


Mathews points out the similarities in the strategies employed  by ACMs and  prostitutes- like  personalizing  the relationship  with  a client  with  the hope  that  continued  ties  with  client  could  lead  to  'real'   relationship (Mathews  1987:30).    They  make  use of their  emotional  labor  to win over potential customers by pandering to their whims and always reinventing themselves.  As with prostitution,  at times, ACMs do believe such emotional investment   could  eventually  land  them  potential  boyfriends,  or husbands, who can whisk them away from their impoverished state.


An interesting  part of the chapter on "Working  Gurls" is the participation of  transgenders  (TG  or  TS)  who  appear  to  subvert  traditional  notions  of being bakla in the Philippines.   Mathews points to emergent sexual cultures where  the "TG  now fully  subscribe  to a heterosexual  binary:  she  not  only provides sex as the traditional  bakla had, but also, like a real woman,  she is paid for that sex, whereas previously  it was the bakla who had paid for sex" (p. 57).


Mathews  calls his method  'netography' (also known  as 'nethnography', or  'netnography') or  cyber  ethnography  and  employs  'participant experiencer' rather than the conventional  'participant  observation' method in anthropology,  noting the limitations  of online research which does not allow him  to  directly   observe  other  participants,   but  rather  to  experience   the interactions  via reading and posting of messages.   His study is based on one chatroom,  Asian  Playmates, where he logged  on as both guest and member, noting  the different  responses  he would get  when he logs  in as a guest  or non-paying client. Issues on authenticity can be tricky particularly on the side of the clientele who hide behind their anonymity.


The author  was evidently  a bit uneasy about  his 'voyeuristic'  approach given  the  nature  of the  research  and  the  level  of  engagement  with  some ACMs. I liked his reflexive approach  to some dilemmas  he had in doing the research; particularly  poignant was his effort to help out an ACM who sought his assistance.  There were a few other incidents  however  that bothered  me, particularly  the one where an ACM broke down when the author showed her websites of other ACMs. It reminded me ofDorinne Kondo's  work 'Crafting Selves' where realization  of her 'identity' became quite a shock to her. This was triggered by her reflection that showed her becoming an epitome of a Japanese  housewife.  In the same  manner,  an  ACM's  encounter  with  other ACMs  became  a stark  revelation  of  an identity  she  may  not  have  readily accepted  as  her  own.  The  very  male  scrutiny/gaze   is  also  perturbing,  as described in the following manner:


Wildslaver (alias  99centAsian4u  and hotass69)  was perhaps  an even less endearing  ACM. She was not the most attractive  ACM on this ISP, and in fact a little obese and Plain, although she may have had what some might consider, and desire, a "native"  face with broad nose, solid brow and dark skin. She had short, rather unkempt  hair, used no cosmetics,  sat too close to the cam, and wore  rather  unattractive   and  often  full  clothing  that  revealed little or nothing of her body and sexuality.  She was rather naive, once having given a free show to a client in expectation  that he would  subsequently  take  her in prvt  or send  her  money.    Her studio  was  very  bland,  consisting  of  plain  and  rather  dirty room, unlike others who had attractive backdrops.


She was also naive in that she was fully unaware  of other girls and their  performances  on Asian  Playmates. Over a few weeks of talking  with  her was  able to suggest  ways  that  she  could improve her appearance and repertoire so as to attract more customers,  as she often  articulated  the  problem  of not meeting her quota. In an attempt  to see and learn for herself,  I directed her to view SweetChelsea , who was at that moment also online. I was surprised  to discover  that Wildslaver did not even  know the web address (URL) of the very site on which she herself appeared ...



Wildslaver did  eventually log-on to Asian  Playmates as a guest (after  I provided the URL  to her)  and found  SweetChelsea, who at that  moment  was performing a teasing  dance.  At this  moment Wildslaver, still   on  cam  with   me,  recoiled  into   comer,   in almost  shock: she  backed  into  a comer  of her  studio,  stared  at what  she  could   see  of  SweetChelsea, placed   her  head  in  her arms,  then  looked  up, openly  weeping. In an instant  Wildslaver had realized who she was, what she looked  like and how she could/should be otherwise (pp.42-43).



This  encounter highlights  the  tensions   surrounding  ACM-ing.    While women  consider being  ACMs  as less  dangerous and more  decent  than  being prostitutes  or  strippers ('just  look   but  don't  touch'),  the  above   vignette cannot  but  bring  out  the  'moral'  dimensions of  ACM-ing. In  the  chapter "Media,  Moralists,  Porn,   Prostitutes  and  Strippers"  Mathews  decries   the 'public myopia' (p.78)  surrounding ACMs in  the  Philippine.   Focusing on tabloids  and   blogs,   Mathews  outlines    the   reactions  towards   ACMs   or 'cybersex'  which   are   focused  on   sex   and   sex   exploitation  as  well   as economic benefits  for  women. For  him,   most  arguments  are  rehash   of issues   concerning  prostitution,  child   sexuality,  pornography,  sex  tourism, 'mail-order' brides,  and  trafficking.   What  makes  the  chapter  interesting is Mathews' unabashed riposte  to the blogs,  with  attempts at correcting misinformation  regarding  ACMs   or  pornography  and  prostitution for  that matter.  The  exchanges take  us  back  to familiar discourses regarding choice or agency  versus  v1ctmuzation.    Is there  really  a shift  from  sexual objectification to sexual  subjectification or a new and pernicious form  of objectification? (Gill  2003).   This was seen in discussions where  ACMs  talk about pleasure  derived from being desired. Mathews makes a case against generalizations regarding ACMs.  While  Philippine laws  need  to be clear  on definitions of what constitutes pornography and prostitution, there are a lot of gray areas that can only be answered by detailed  ethnographic work.


While  an  exploratory study,  the  book  does  more  by interrogating longĀ­ held  assumptions regarding the sex  industry, bringing new  insights into  the realities of  ACM  work.  It spells   out  the  work  that  needs to  be  done  to uncover  the paradoxes of this  'glocalized' industry, where  as Mathews states, "technology may  possibly liberate  women  and  sexuality, but  it  also simultaneously perpetuates and  even  entrenches sexual  and  economic inequality" (p.132).



References Cited


Attwood, F. (2004). Pornography  and objectification: Re-reading  "the picture that divided Britain". Feminist Media Studies, 4, 7-19.


Gill, R. (2003). From sexual objectification  to sexual subjectification: The resexualization ofwomen's bodies in the media. Feminist Media Studies,

3' 100-105.

Kondo, D. K. (1990). Crafting Selves: Power, Gender and Discourses of

Identity in a Japanese Workplace. Chicago: University of Chicago Press.


Mathews, P.W. (1987). Some Preliminary  Observations  of Male Prostitution in Manila, Philippine Sociological Review, 35(3-4):30




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